Leatrice Gilbert Fountain (1924-2015): Daughter of Hollywood Legends

Leatrice Gilbert Fountain was simply the most fascinating person I have ever met. I wrote her a fan letter years ago after reading her book DARK STAR: The Untold Story of the Meteoric Rise and Fall of Legendary Silent Screen Star John Gilbert, her father’s biography. She responded with a letter and an invitation to join the John Gilbert Appreciation Society.  I joined and eventually became president of the Society.

As president of the JGAS, I had the privilege of getting to know her well.  I interviewed her, consulted with her on the JGAS newsletter, and attended film events with her. I was in awe of Leatrice.   She had every ounce of her father’s charm, if not more.  She was larger than life, and yet she made others feel important.

She loaned me many photographs when I interviewed her for the SILENTS MAJORITY: Online Journal of Silent Film. Among the beautiful stills was a newspaper clipping with a photo of Leatrice working in a soup kitchen. That photo says volumes about who she was–a kind, generous person who enjoyed helping others.

I owe a great deal to John Gilbert because if it were not for my obsession with him, I would never have met his extraordinary daughter.  Leatrice was a superstar in every way.

I met Leatrcie for the first time at a film event in Englewood, New Jersery, in 1998.  She had come to introduce one of her father’s best known films, “Flesh and the Devil” (MGM, 1926), to a packed house at the John Harms Center for the Arts. The New Jersey Youth Symphony, led by Adrian Bryttan, played the musical score. It was a night to remember and the beginning of a lasting friendship.

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ST. ELMO and “The Passion of Miss Augusta”

Filmmaker Robert Clem pays tribute to Augusta Evans Wilson and ST. ELMO in his film THE PASSION OF MISS AUGUSTA.  The film premiered September 12, 2013, in Mobile, Alabama.  I haven’t seen the movie, but I’m looking forward to viewing the DVD.  (I’m listed as one of the co-producers in the credits.)

“The Passion of Miss Augusta” is part drama, part documentary.  The film begins as a silent film version of ST. ELMO then fast-forwards to the 1950s with the main characters in modern dress.  As you watch the trailer (above) notice the differences between the silent and modern-day versions.

Augusta Jane Evans Wilson (1835-1909), American novelist (Photo credit: Wikipedia)

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Happy Birthday, John Gilbert!

“Cameo Kirby” (Fox, 1923)

Turner Classic Movies is featuring John Gilbert’s films today in honor of his birthday.  He made about 100 films, and some of the best withstood the sands of time.

Below are some of my favorite photos of my favorite star.

This photo of John Gilbert was taken by MGM photographer Ruth Harriet Louise.

“The Merry Widow” book cover from the MGM 1925 film

“La Boheme” (MGM, 1927)

John Gilbert in CAMEO KIRBY (Fox, 1923)

I’ve had this photo of John Gilbert for several years.  His name is on the front beneath the image with no mention of a studio or a photographer.  The back of the photo is blank.  I think this was a publicity shot (for MONTE CRISTO (1922) perhaps?).

New Biography: “JOHN GILBERT: The Last of the Silent Film Stars”

Two book-length biographies have been written about John Gilbert.  Leatrice Gilbert Fountain wrote the first, DARK STAR, in 1985.

Now Eve Golden has published JOHN GILBERT: THE LAST OF THE SILENT FILM STARS.  Visit her Web site, EveGolden.com, and Amazon.com for a description of the book and pricing information.  The book is drawing a lot of attention.  It was featured in the April 2013 edition of the magazine VANITY FAIR.

John Gilbert and Renee Adoree in “The Big Parade”

THE BIG PARADE (MGM, 1925) John Gilbert‘s best-known film, is a realistic portrayal of WWI.  It was the biggest box office hit ever until GONE WITH THE WIND.  Renee Adoree was John Gilbert’s co-star.  She starred with him in more films than any of his leading ladies.  The photo above depicts the famous chewing gum scene that Gilbert and Adoree ad-libbed.  The scene inspired the Blatz company to use it to advertise their chewing gum.

 

ST ELMO: Poster of the Film in Color

English: Barbara LaMarr (Photo credit: Wikipedia)

A publicity picture of actress Bessie Love (Photo credit: Wikipedia)

Poster probably used to advertise the 1923 Fox film version starring John Gilbert (“St. Elmo), Bessie Love (“Edna Earl”), Barbara LaMarr (“Agnes Powell”), and Warner Baxter (“Murray Hammond”).

ST. ELMO’s Legacy

Augusta Jane Evans Wilson (1835-1909), American novelist (Photo credit: Wikipedia)

I started this blog in part to pay homage to my favorite novel, ST. ELMO, and my favorite novelist, Augusta Evans Wilson.  If it were not for ST. ELMO, I may not have discovered John Gilbert, who played the leading role in the film adaptation.

 

John Gilbert was a versatile actor, who could play the role of a “good guy” as easily as that of a “bad guy.”  I’ve heard that he preferred playing bad guys.  ST. ELMO was a vehicle for John Gilbert to display his ability to play both.  He starts off as a bad guy, but for the love of a woman, turns into a good guy.

 

Below is an excerpt from page 40 of the ST. ELMO novel in which the maid is describing “St. Elmo‘s” character to the protagonist, Edna Earl.

  “Listen to me, child, for I like your patient ways and want to give you a friendly warning . . . . Whatever else you do, be sure not to cross ‘Mass Elmo’s path.  Keep out of his way, and he will keep out of yours, for he is shy enough of strangers, and would walk a mile to keep from meeting anybody; But if he finds you in his way, he will walk roughshod right over you–trample you. . . .  He hates everybody and everything. . . .  He is like a rattlesnake that crawls in his own track and bites everything that meddles or crosses his trail . . . Above everything child . . . don’t argue with him!  If he says black is white, don’t contradict him; and if he swears water runs upstream, let him swear and don’t let him know water runs down . . . .  Everybody is afraid of him, and gives way to him. . . . I would rather put my head in a wolf’s jaws than stir him up.  [He is a] “sinful, swearing, raging devil.”

ST. ELMO is still in print.  Filmmaker Robert Clem is in the process of filming a ST ELMO remake or docudrama.  It is called THE PASSION OF MISS AUGUSTA.

 

 

 
 

 

 

2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

The new Boeing 787 Dreamliner can carry about 250 passengers. This blog was viewed about 1,100 times in 2012. If it were a Dreamliner, it would take about 4 trips to carry that many people.

Click here to see the complete report.

La Boheme (MGM, 1926)

   John Gilbert played “Rudolphe” and Lillian Gish played “Mimi” in the 1926 MGM silent film, LA BOHEME.  The producers at MGM were so eager to get Lillian Gish to star in the film that they allowed her to choose the cast.  She picked John Gilbert, Renee Adoree, and Karl Dane because she was impressed with their performance in THE BIG PARADE (MGM, 1925). 

   The film differs from the novel and Puccini’s opera in that Lillian Gish portrays “Mimi” as innocent, virginal, and selfless.  The “Mimi” described in Henri Murger’s novel is quite the opposite.

   Lillian Gish took the part so seriously that she prepared herself for the death scene by going without food and water for three days.  The scene was convincing enough to alarm the director, King Vidor, who had also directed THE BIG PARADE.

   The DVD is available at Warner Brothers (WarnerArchive.com).